期刊名称：JOURNAL OF NEW MUSIC RESEARCH
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
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The journal - which was launched in 1972 - has an interdisciplinary orientation and affords a forum as an interface for disciplines ranging from musicology (music theory, aesthetics, sociology), psychology (from psychoacoustics to cognitive psychology - with emphasis on modelling), information sciences (from sound engineering to artificial intelligence), philosophy (epistemology and methodology) and brain sciences. The emphasis is on an interdisciplinary foundation for music by means of the most advanced technologies.
Major issues in the journal covered are: automated composition; Artificial Intelligence and music; digital sound analysis, processing and synthesis; interactive systems; multimedia systems; auditive perception and cognition; cognitive musicology; music analysis |
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Instructions to Authors
Formatting your manuscript
It could speed up the publication process of your article when you would make use of our journal article template. With this template you can format your document with fixed styles for the various text elements. You can also adjust existing tables with it, or create new tables in a standard format.
Please click on the icon below and the template will be installed automatically on your PC. The zip-file also contains a short manual that will show you how to work with it.
Proofing procedure
Authors of accepted papers are responsible for proofreading. They will receive the proofs both in hardcopy as well as in electronic file (pdf) and must return the proofs without delay. Proofs can be returned by air mail and/or fax, but in case of fewer corrections they can also be returned by e-mail. Corrections to proofs must be restricted to printer's errors. Other corrections may be charged to the author.
Copyright and permissions
It is a condition of publication in this Journal that authors assign copyright to Swets & Zeitlinger Publishers. This ensures that requests from third parties to reproduce articles are handled efficiently and consistently and will also allow the article to be as widely disseminated as possible. In assigning copyright, authors may use their own material in other publications provided that this Journal is acknowledged as the original place of publication. Therefore the Manuscript should be accompanied by a signed Consent to Publish form . Please note that your manuscript can only be taken into production once the signed form has been received. It is the responsibility of the author to obtain written permission for a quotation from unpublished material, or for all quations in excess of 250 words in one extract or 500 words in total from any work still in copyright, and for the reprinting of illustrations or tables from unpublished or copyright material. Submission of a paper to this Journal implies that it has not been published before and that it is not being considered for publication elsewhere.
The Editors and the Publisher of Journal of New Music Research are not responsible for the scientific content and statements of the authors of accepted papers.
Submission of manuscripts :
Please submit your manuscript by e-mail. You can send your manuscript to:
submissions@swets.nl Please clearly mention "JNMR" in the subject line or message body.
Each submission should be accompanied by a signed Consent to Publish form . All papers will be reviewed by a minimum of two referees.
Guidelines for manuscripts accepted for publication :
Do not submit your article in ASCII , Postscript or Works.
- Submit your article in a frequently used word processing package under operating systems MS Dos, Windows or Apple Macintosh.
- Name files using Dos conventions (8 characters, dot, 3 characters). For example: figure1.eps
- Make sure that the correct version of the manuscript is submitted for processing (original, revision, final manuscript).
- Always retain a backup copy of your manuscript (both digital and on hardcopy).
Editorial Board
Associate Editors
Antonio Camurri , DIST, University of Genoa, Italy. E-mail: music@dist.unige.it. Web: http://musart.dist.unige.it/
Roger Dannenberg , School of Computer Science, Carnegie Mellon University, Pittsburgh, USA. E-mail: rbd@cs.cmu.edu. Web: http://www.cs.cmu.edu/~rbd
Giovanni De Poli , University of Padova, Italy. E-mail: depoli@dei.unipd.it
Robert Rowe , Department of Music, New York University, USA. E-mail: robert.rowe@nyu.edu
Xavier Serra , Music Technology Group, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain. E-mail: xserra@iua.upf.es. Web: http://www.iua.upf.es/~xserra/
Electronic Appendix Editor
Dirk Moelants , Institute for Psychoacoustics and Electronic Music, Ghent University, Belgium. E-mail: Dirk.Moelants@rug.ac.be. Web: http://www.ipem.rug.ac.be/staff/dirk/dirk.html
Book Review Editor
Agostino Di Scipio , Music Conservatory of Naples, Italy. E-mail: discipio@tin.it
Advisory Editors
Maur韈io Alves Loureiro , Belo Horizonte, Brazil
Wolfgang Auhagen ,Berlin, Germany
Konrad Boehmer , Amsterdam, the Netherlands
Jean-Pierre Boon , Brussels, Belgium
Jan L. Broeckx , Deurle, Belgium
Sergio Canazza , Padova, Italy
Francesco Carreras , Pisa, Italy
Chris Chafe , Stanford, USA
Ricardo Dal Farra , Buenos Aires, Argentina
Rolf Inge God鴜 , Oslo, Norway
Shuji Hashimoto , Tokyo, Japan
Henkjan Honig , Amsterdam, the Netherlands
Jukka Louhivuori , Jyv鋝kyl? Finland
Alan Marsden , Lancaster, UK
Marcel Mesnage , Brussels, Belgium
Leon van Noorden , Brussels, Belgium
Richard Parncutt , Graz, Austria
Henri Pousseur , Li鑗e, Belgium
Dirk-Jan Povel , Nijmegen, the Netherlands
Bruno Repp , New Haven, USA
Jean-Claude Risset , Marseille, France
Herman Sabbe , Brugge, Belgium
Albrecht Schneider , Hamburg, Germany
Johan Sundberg , Stockholm, Sweden
Heinrich Taube , San Jos? USA
Petri Toiviainen , Jyv鋝kyl? Finland
Barry Truax , Burnaby, Canada
Frank C. Weiland , Zuidhorn, the Netherlands
David Wessel , Berkeley, USA
Gerhard Widmer , Vienna, Austria
Trevor Wishart , York, UK
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